{"id":255,"date":"2012-04-20T03:00:33","date_gmt":"2012-04-20T03:00:33","guid":{"rendered":"https:\/\/www.maryrakow.com\/dev\/dev\/?page_id=255"},"modified":"2019-01-29T04:18:10","modified_gmt":"2019-01-29T04:18:10","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.maryrakow.com\/dev\/publications\/","title":{"rendered":"publications"},"content":{"rendered":"<p>My apologies. \u00a0I am currently updating this page. \u00a0In the interim I have built a very complete website for my second novel,\u00a0<strong><em>This Is Why I Came<\/em><\/strong>, Counterpoint Press, 2015. On it you will find a selection of chapters along with the art that inspired my writing of those chapters, some related art posts, reviews from <em>The Atlantic, The Washington Post, The Boston Globe, Christian Century, Commonweal, Harvard Divinity Bulletin, Ploughshares, <\/em>etc. As well as interviews and Youtube videos my readings with their Q and A&#8217;s. \u00a0Please visit \u00a0<a href=\"http:\/\/thisiswhybook.com\">http:\/\/thisiswhybook.com\u00a0<\/a>\u00a0Enjoy!<\/p>\n<p style=\"padding-left: 30px;\"><em><strong>Enrique Martinez Celaya: \u00a0Working Methods.\u00a0<\/strong><\/em><strong>Editiones\u00a0Poligrafa, 2012 (Bilingual, Spanish and English),and is still in print and available.\u00a0<\/strong>Text by Mary Rakow. \u00a0Preface by Dimitri Ozerkov, Curator, The Hermitage. Introduction by Matthew Biro, Chair, Michigan University Department of Art History.<\/p>\n<p style=\"padding-left: 30px;\"><strong><em>The Memory Room, a novel<\/em> <\/strong>(Counterpoint Press, 2002).<\/p>\n<p style=\"padding-left: 30px;\"><strong>\u201cLooking for a Context for Enrique Mart\u00ednez Celaya\u2019s Work\u201d\u00a0<\/strong><em>works + conversations<\/em>, No.9.<\/p>\n<p style=\"padding-left: 30px;\">Catalogue essay for joint exhibition, <strong><em>&#8220;On Seeing: Works by Steve DeGroodt and David McDonald, &#8216;Their, They&#8217;re There.'&#8221;<\/em><\/strong>\u00a0Cerritos College Museum of Art.<\/p>\n<p style=\"padding-left: 30px;\"><strong><em>Melinda Rankin and Magdalen Hayden,\u00a0 Evangelical and Catholic Forms of Nineteenth Century Christian Spirituality<\/em>,<\/strong> Doctoral dissertation, Boston College, 1982.<strong>\u00a0<\/strong><strong>\u00a0<\/strong><\/p>\n<p style=\"padding-left: 30px;\"><strong>&#8220;Christ&#8217;s Descent into Hell: Calvin&#8217;s Interpretation,<\/strong>&#8221; <em>Religion in Life<\/em> 43 (1974).<\/p>\n<p style=\"padding-left: 30px;\"><strong><em>&#8220;Music like this finds all my wounds,&#8221; <\/em><\/strong>Steve DeGroodt &amp; Mary Rakow, 2003. (Text collaged paper with gold fabric veil).\u00a0<em>The Book of Lies Project, Vol. III,<\/em> organized by\u00a0Los Angeles Conceptual artists Eugenia Butler (1947-2008) containing 81 works by 78 artists. Tour Dates: Spring 2012 through Winter 2016.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Anthologized<\/strong><\/p>\n<p style=\"padding-left: 30px;\"><em>Women on the Edge: Writing Los Angeles,<\/em>\u00a0edited by Sam Dunn and Julianne Ortale (The Toby Press, 2005).<\/p>\n<p><strong>Select Articles Referencing Rakow&#8217;s Work<\/strong><\/p>\n<p style=\"padding-left: 30px;\">Addison, Catherine, \u201cThe Verse Novel as Genre: Contradiction or Hybrid?\u201d <em>University of Zululand<\/em>, Vol 43, No.4, Winter 2009.<\/p>\n<p style=\"padding-left: 30px;\">Clayton, Victoria, &#8220;The Words Come Hard, but Payoff Is Sweet.&#8221; <em>The Los Angeles Times<\/em>,\u00a0March 19, 2002.<\/p>\n<p style=\"padding-left: 30px;\">Middleton, Darren J. N., <em>Theology After Reading, Christian Imagination and the Power of Fiction<\/em>\u00a0 (Baylor University Press, 2008).<\/p>\n<p style=\"padding-left: 30px;\">Muller, Richard A., <em>The Unaccommodated Calvin, Studies in the Foudation of a Theological Tradition<\/em>, (Oxford Studies in Historical Theology, Oxford University Press, 2000).<\/p>\n<p style=\"padding-left: 30px;\">Tambour, Karl, <em>The Harrowing of Hell in Medieval England<\/em>, 2007.<\/p>\n<p style=\"padding-left: 30px;\">\u201cThe Problem and the Genius: Mary Rakow on John Felstiner\u2019s translation of Paul Celan\u2019s \u2018Todesfuge.\u2019&#8221; February, 2012.\u00a0 www.bltnotjustasandwich.com\/2012.<\/p>\n<p><strong>The Memory Room Taught as Literature<\/strong><\/p>\n<p style=\"padding-left: 30px;\">UCSan Diego Extension, \u201cTrauma and Memory in Twentieth-Century Fiction.\u00a0Discover five of the most powerful, insightful\u2014and healing\u2014masterpieces of 20th century fiction: Toni Morrison\u2019s <em>Beloved<\/em>, Mary Rakow\u2019s <em>The Memory Room<\/em>, Anne Michaels\u2019s <em>Fugitive Pieces<\/em>, John L\u2019Heureux\u2019s <em>The Shrine at Altamira<\/em>, and Edwidge Danticat\u2019s <em>The Dew Breaker.<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My apologies. \u00a0I am currently updating this page. \u00a0In the interim I have built a very complete website for my second novel,\u00a0This Is Why I Came, Counterpoint Press, 2015. On it you will find a selection of chapters along with the art that inspired my writing of those chapters, some related art posts, reviews from [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"template-fullpage.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-255","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - aioseo.com -->\n\t<meta name=\"description\" content=\"A list of publications that have been written or edited by award wining book editor Mary Rakow\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.maryrakow.com\/dev\/publications\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.10\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" 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