{"id":255,"date":"2012-04-20T03:00:33","date_gmt":"2012-04-20T03:00:33","guid":{"rendered":"https:\/\/www.maryrakow.com\/dev\/dev\/?page_id=255"},"modified":"2019-01-29T04:18:10","modified_gmt":"2019-01-29T04:18:10","slug":"publications","status":"publish","type":"page","link":"https:\/\/www.maryrakow.com\/dev\/publications\/","title":{"rendered":"publications"},"content":{"rendered":"

My apologies. \u00a0I am currently updating this page. \u00a0In the interim I have built a very complete website for my second novel,\u00a0This Is Why I Came<\/em><\/strong>, Counterpoint Press, 2015. On it you will find a selection of chapters along with the art that inspired my writing of those chapters, some related art posts, reviews from The Atlantic, The Washington Post, The Boston Globe, Christian Century, Commonweal, Harvard Divinity Bulletin, Ploughshares, <\/em>etc. As well as interviews and Youtube videos my readings with their Q and A’s. \u00a0Please visit \u00a0http:\/\/thisiswhybook.com\u00a0<\/a>\u00a0Enjoy!<\/p>\n

Enrique Martinez Celaya: \u00a0Working Methods.\u00a0<\/strong><\/em>Editiones\u00a0Poligrafa, 2012 (Bilingual, Spanish and English),and is still in print and available.\u00a0<\/strong>Text by Mary Rakow. \u00a0Preface by Dimitri Ozerkov, Curator, The Hermitage. Introduction by Matthew Biro, Chair, Michigan University Department of Art History.<\/p>\n

The Memory Room, a novel<\/em> <\/strong>(Counterpoint Press, 2002).<\/p>\n

\u201cLooking for a Context for Enrique Mart\u00ednez Celaya\u2019s Work\u201d\u00a0<\/strong>works + conversations<\/em>, No.9.<\/p>\n

Catalogue essay for joint exhibition, “On Seeing: Works by Steve DeGroodt and David McDonald, ‘Their, They’re There.'”<\/em><\/strong>\u00a0Cerritos College Museum of Art.<\/p>\n

Melinda Rankin and Magdalen Hayden,\u00a0 Evangelical and Catholic Forms of Nineteenth Century Christian Spirituality<\/em>,<\/strong> Doctoral dissertation, Boston College, 1982.\u00a0<\/strong>\u00a0<\/strong><\/p>\n

“Christ’s Descent into Hell: Calvin’s Interpretation,<\/strong>” Religion in Life<\/em> 43 (1974).<\/p>\n

“Music like this finds all my wounds,” <\/em><\/strong>Steve DeGroodt & Mary Rakow, 2003. (Text collaged paper with gold fabric veil).\u00a0The Book of Lies Project, Vol. III,<\/em> organized by\u00a0Los Angeles Conceptual artists Eugenia Butler (1947-2008) containing 81 works by 78 artists. Tour Dates: Spring 2012 through Winter 2016.<\/p>\n

 <\/p>\n

Anthologized<\/strong><\/p>\n

Women on the Edge: Writing Los Angeles,<\/em>\u00a0edited by Sam Dunn and Julianne Ortale (The Toby Press, 2005).<\/p>\n

Select Articles Referencing Rakow’s Work<\/strong><\/p>\n

Addison, Catherine, \u201cThe Verse Novel as Genre: Contradiction or Hybrid?\u201d University of Zululand<\/em>, Vol 43, No.4, Winter 2009.<\/p>\n

Clayton, Victoria, “The Words Come Hard, but Payoff Is Sweet.” The Los Angeles Times<\/em>,\u00a0March 19, 2002.<\/p>\n

Middleton, Darren J. N., Theology After Reading, Christian Imagination and the Power of Fiction<\/em>\u00a0 (Baylor University Press, 2008).<\/p>\n

Muller, Richard A., The Unaccommodated Calvin, Studies in the Foudation of a Theological Tradition<\/em>, (Oxford Studies in Historical Theology, Oxford University Press, 2000).<\/p>\n

Tambour, Karl, The Harrowing of Hell in Medieval England<\/em>, 2007.<\/p>\n

\u201cThe Problem and the Genius: Mary Rakow on John Felstiner\u2019s translation of Paul Celan\u2019s \u2018Todesfuge.\u2019” February, 2012.\u00a0 www.bltnotjustasandwich.com\/2012.<\/p>\n

The Memory Room Taught as Literature<\/strong><\/p>\n

UCSan Diego Extension, \u201cTrauma and Memory in Twentieth-Century Fiction.\u00a0Discover five of the most powerful, insightful\u2014and healing\u2014masterpieces of 20th century fiction: Toni Morrison\u2019s Beloved<\/em>, Mary Rakow\u2019s The Memory Room<\/em>, Anne Michaels\u2019s Fugitive Pieces<\/em>, John L\u2019Heureux\u2019s The Shrine at Altamira<\/em>, and Edwidge Danticat\u2019s The Dew Breaker.<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

My apologies. \u00a0I am currently updating this page. \u00a0In the interim I have built a very complete website for my second novel,\u00a0This Is Why I Came, Counterpoint Press, 2015. On it you will find a selection of chapters along with the art that inspired my writing of those chapters, some related art posts, reviews from […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"template-fullpage.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-255","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.maryrakow.com\/dev\/wp-json\/wp\/v2\/pages\/255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.maryrakow.com\/dev\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.maryrakow.com\/dev\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.maryrakow.com\/dev\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.maryrakow.com\/dev\/wp-json\/wp\/v2\/comments?post=255"}],"version-history":[{"count":69,"href":"https:\/\/www.maryrakow.com\/dev\/wp-json\/wp\/v2\/pages\/255\/revisions"}],"predecessor-version":[{"id":1480,"href":"https:\/\/www.maryrakow.com\/dev\/wp-json\/wp\/v2\/pages\/255\/revisions\/1480"}],"wp:attachment":[{"href":"https:\/\/www.maryrakow.com\/dev\/wp-json\/wp\/v2\/media?parent=255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}